There is tension in my work, either resolved or left tantalisingly open. A example might be a classical vase with strong sharp lines and almost industrial colouring interrupted by a bold, bright organic slash, or a finely finished parabolic form with a cracked and broken lip, jagged shards decorating the surface. The ephemeral fragility of glass contrasted with the machine like hardness of steel. Tall conical forms leaning perilously, gourd shaped pieces with very long fine necks emerging from a compact, solid base”.